Babette Mangolte: A Photo Installation at PS One
(1978)
 
Landscapes and History
(1997)
 
About Looking
(2002)
 
Art Lies and Videotapes: Exposing Performance
(2003-2004)
 
Spaces to see, stories to tell
(2007)
 
Looking and touching
(2007)
 
presence
(2008)
 
collision
(2008)
 
rushes
(2009)
 
 "How to Look… 2010”
(Whitney biennial)
 
"While Bodies get mirrored"
(Migros Museum, Zurich, 2010)
 
Movement and Stills
(New York City, 2010)
 
Yvonne Rainer: Testimony to Improvisation (1972-75)
(Glasgow, UK, 2010)
 
Éloge du Vert
(Homage to the Color Green)

VOX, Montréal, Canada 2013

 
TOUCHING III with COLLAGE III
Inhotim, Brazil, 2013
Show curated by Rodrigo Moura: Opening October 24, 2013 for two years till 2015
 
READING OF YVONNE RAINER'S "THIS IS THE STORY OF A WOMAN WHO…”
(WHITNEY MUSEUM “RITUALS OF RENTED ISLAND” 2013)
 
I = EYE Babette Mangolte
(Solo Show at Kunsthalle in Vienna, Austria 2016)
 
Roof Piece Installation
Three contiguous screens with projections of 2K video from 16mm films from the 1973 performance July 1, 1973
(Bordeaux Centre of Contemporary Art, France, 2018)
 
Spaces TO SEE
(Solo Show at Rochechouart Museum of Contemporary Art, in Rochechouart, France 2019)
 
 

Collision, was installed at Broadway 1602 in New York City and opened November 1, 2008. The installation is made of three interlocking parts.

The show explored different rhythms in audience participations.


 


 


TOUCHING with Collage II A large table with photographs of various sizes and contact sheets of performance works (Yvonne Rainer and "Story of a Woman who..." from 1973 and Robert Whitman's Works). The sound surrounding the table came from a television projection of a Collage of films made during the period of the performance works when the photographs were shot, creating an aural context to a visual that was constantly shuffled and reconfigured by the visitor that was free to manipulate the cards, reorganized them, sort them by sizes, movements and more....

STRAINING a short loop of tree branches and leaves shaken by strong winds that uses repetitions and returns to insistent close ups and jump cuts. The sound is played low and is very choppy.

STRIVING was based on continuity instead of interruption and was at night. The musical track written by Anthony Burr was based on variation of Ravel's Bolero. The duration was much longer and the intent was to encourage a hypnotic response.


The spectator was undergoing three distinct viewing experiences in the three different works.

 
   
  Slide show:
 

   
 
Technical requirement:

3 DVD players, 1 television, 2 video projectors focused on prepared surfaces painted white or silver, directional speakers for both screens, large table with stack of performance photographs and contact sheets near the television playing a third film collage with ambient sound radiating around the table.